华裔女性文学创作中的中国元素——以《喜福会》为例

Chinese elements in Chinese American female literature——The Joy Luck Club as example

上世纪二十年代受美国移民浪潮、女性解放的与民权运动的影响,华裔女性文学迎来巅峰时期。女性不再针对男性创作文学,不再用单一的眼光衡量女性的独特和尊严。随着中叶时期女性文学与中国社会文化习俗之间的渗透,华裔女性作家将原本反抗的女性呐喊转移到女性文学创作的新道路之中。在此阶段华裔女性的创作模式已经进入到多元化视角,并且有了鲜明的中国特色。本文以华裔女性代表作家谭恩美的《喜福会》为素材,对20世纪华裔女性作家文学创作角度中中国元素特点加以简略说明。

Chinese American female literature meets its peek in the 1920 s, influenced by immigration, female liberation and civil rights movement. Female writers are employing a multicultural perspective while regarding their own dignity and uniqueness. With the development of Globalization, Chinese elements are widely used in the creation of female literary works. This paper, by analyzing The Joy Luck Club of Amy Tan, is going to present the Chinese elements in Chinese American female creation.