摘要
古典油画大多是间接画法逐层逐序薄涂,现代画法因为大多是从俄罗斯那边学的,所以大多是直接画法厚涂,带有好多肌理的效果,或者用塑性膏作机理。古典的间接薄涂和现代的直接厚凃,都不是绝对的,古典画家某些地方某些人也会采用部分的厚凃,现代的画家也会用厚凃罩染。所有的这些前提都是在素描关系都对,型准确无误往后,不管是古典还是现代,都可以很好看,技法本来就是做事情方法,按照需要灵活采用。
Most of the classical oil paintings are indirect painting. The modern painting is mostly learned from the Russian side, so most of them are directly painted with thick texture, with a lot of texture effect, or plastic paste for mechanism. The classical and modern direct indirect thin coating thick coating, are not absolute, some parts of the classical painter will use some of the thick, modern painter will use thick coating. All of these premises are in the sketch relations are right, type accurate back, whether classical or modern, can be very good-looking, technology has always been to do things the way, in accordance with the need to be flexible.
出处
《佳木斯职业学院学报》
2017年第4期285-286,共2页
Journal of Jiamusi Vocational Institute
关键词
油画
古典
现代
厚涂
薄涂
oil painting
classical
modern
thick coating
thin coating