先秦大文学观及其普适美学原理拟构

The Great Literary View of the Pre-Qin Dynasty and its Quasi-construction of the Principle of Universal Aesthetics

"文"在中国古典学术尤其是先秦学术中是一个非常重要的范畴,有其内在统一的自觉的独特观念。但是近代以来,我们过分崇信各类西方文艺理论对中国古典文论资源的割裂性诠释,忽视了先秦"文"概念本身的哲学土壤。当我们面对西方美学的挑战时,总是强调中国艺术的特性和价值观,却忽视了吾国古典哲学中实则蕴含着巨大的构建普适美学系统的潜能。

"Wen" is a very important category in Chinese classical academic, especially in the pre-Qin period, and has its unique and unique concept of self-consciousness. However, since modern times, we have overworded the interpretation of the resources of Chinese classical literary theory by various western literary theories, and ignored the philosophical soil of the concept of "Wen" in the pre-Qin period, when we were confronted with the challenge of western aesthetics. It always emphasizes the characteristics and values of Chinese art, but neglects the potential of constructing universal aesthetic system in our classical philosophy.