两个时空,共同的匈奴情结——从井上靖《明妃曲》谈起

Two Space-time, Common Xiongnu Plot: On Inoue Yasushi's "Princess's songs"

井上靖西域历史小说,开战后日本文坛西域历史小说之先河。从长篇到短篇,可谓各有特色。由于取材均为中国历史事件以及人物,小说中反映出来的历史观、价值取向在中国文化视角下审视,会有许多新鲜的发现。短篇小说《明妃曲》,全篇看似以王昭君为主人公,实则安插了现代人田津冈龙英来叙述王昭君事迹,而在对于匈奴的认同喜爱这一点上,井上别出心裁地安排昭君与田津冈两个横跨千年,出身不同国度的主人公交汇,这样的叙事手法在井上的西域文学作品中可谓异色的存在。本论意欲阐述小说特殊的叙事结构,同时试图通过分析作品主人公对匈奴的特殊情感,从而揭示作者乃至日本人在看待古老民族——匈奴时所反映出来的心理结构以及价值取向。

The history novel in Jingxi area of Jingshang, opened the first river of the western history novels of Japanese literary circles after the war. From long to short, it can be said that each has its own characteristics. Since the materials are Chinese historical events and characters, the historical view reflected in the novel, the value orientation is examined from the perspective of Chinese culture, there will be many new discoveries. The short story "Princess song", which seems to take Wang Zhaojun as the protagonist, actually puts in the modern Tian Jingang Longying to tell the story of Wang Zhaojun, and loves this point in the recognition of the Xiongnu. Inoue ingeniously arranges Zhaojun and Tian Jingang to meet the protagonists from different countries for thousands of years. This kind of narrative technique can be described as an unusual existence in the literary works of the Western region. The purpose of this paper is to illustrate the special narrative structure of the novel, and try to reveal the psychological structure and value orientation of the author and even the Japanese when they look at the ancient ethnic groups——Xiongnu