摘要
与以往的作品大致同等步调,同样具有朴素的乡土风情、文化涵养、审美形态,由此可见作品素材的丰富奇特,笔触尤其精湛。《透明的红萝卜》并非是绝对的透明,只是相对而言,论题名通俗易懂,可谓透明之极至,但透明的方式不足以表现富含人性精神意识、哲理韵味的主题思想,又再者,浓郁的乡村文化背景,则无法更为深入地打造透明人的形象。作品极力呈现透明的同时又不断渗透着非透明意识,结合得当、融洽。
With the same pace as previous works, it has the same simple local customs, culture conserving, aesthetic form. It can be seen that the material of the works is rich and peculiar, especially exquisite brushwork. "transparent carrot" is not absolutely transparent,But relatively speaking, the title of the topic is easy to understand, which is the ultimate of transparency, but the transparent way is not enough to express the theme thought which is rich in human spirit consciousness, philosophy flavor, and the rich rural culture background.The image of a transparent person cannot be built more deeply.At the same time, the works are permeated with non-transparent consciousness, which combines well and harmoniously.
出处
《佳木斯职业学院学报》
2018年第5期118-118,共1页
Journal of Jiamusi Vocational Institute
关键词
《透明的红萝卜》
乡土
精神意识
哲理韵味
"transparent carrot"
native land
spiritual consciousness
philosophical charm