论《额尔古纳河右岸》中的叙事美学

On the Narrative Aesthetics in the “Right Bank of the Erguna River”

迟子建用诗意的语言在《额尔古纳河右岸》中描写了鄂温克族近百年的沧桑历史。在人与自然的和谐统一、生死轮回的宿命中,作者从独特的民族文化中挖掘出生命的哲学。为生存而进行的野蛮狩猎,处在深林中的紧张人际关系,小说直面残酷、血腥的原始力量,却用诗意的描写,深邃的民族思想,使得原始力量的崇拜与美学交织在一起,呈现出巨大的张力。

Chi Zijian describes the vicissitudes of the Ewenki in the 'Right Bank of the Erguna River' in poetic language. In the harmonious unity of man and nature and the fate of life and death, the author excavates the philosophy of life from the unique national culture. The savage hunting in order to survive, the intense interpersonal relationship in the deep forest, the novel facing the cruel and bloody primitive power, but with poetic description and profound national thought, make the worship of primitive power intertwined with aesthetics. There is great tension.