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元代帝后肖像画研究 被引量:1

Study of the Imperial Portraiture during the Yuan Dynasty
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摘要 肖像画是传统的画科之一,在元代获得了长足发展,而帝后肖像画则是元代肖像画中最引人注目的部分。元代有一套严整的御容绘制和祭祀制度,产生了一些成就卓著的御容画家,有不少作品遗存至今,是我国古代帝后肖像画作中的珍品。本文对若干宫廷肖像画家的生平事迹做深入探索,以此为基线,对元代宫廷肖像画做综合研究,并延伸到为明太祖画像的几位画家上,以见元肖像画家之余绪。 Portraiture as an essential branch of traditional Chinese painting,obtained extraordinary development during the Yuan Dynasty,among which the portraitures of the Kings and their spouses have attracted the most public attention.Under the Mongolia reign period,a complete set of rules for imperial portraiture and its related sacrifices were established,which in turn fostered quite a number of distinguished portraitists,some of their works are still remained.This paper devotes to the complete study of their lives,and from this point,attempts to present a better outlook of their socio-cultural statuses.
作者 马明达 Ma Mingda
机构地区 暨南大学历史系
出处 《暨南史学》 2005年第1期197-215,共19页
关键词 御容 传神 写真 御神殿 刘贯道 李肖岩 Yu Rong(royal visage) Chuan Shen(spiritual impression) Xie Zhen(realistically describing) Yu Shen Dian Liu Guandao Li Xiaoyan
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