汉代斗栱与古印度雕刻形象的关系中所见中国斗栱的源流

Bracket set of Han Dynasty and Its Relevance to Ancient Indian Sculpture

该论文在既有研究的基础上,从两个视角讨论汉代建筑的斗栱:1.回避与后世斗栱进行形态对比的研究视点,直接观察汉代斗栱本身的结构作用,并以汉代的建筑语言加以描述,将问题简化为在汉代语境下探讨汉代斗拱;2.简要地回顾两汉时期古印度文化背景,对汉代斗栱与古印度雕刻中形象资料间的关系做初步的梳理,试图在源头上建立联系。本文探讨了汉代斗栱在形成初期的关键构件'枅'的演进及其与印度雕刻中形似构件的联系,如'类臂型支撑物'与'类臂型栾',或'类平盘枓'与'皿枓'等。

This paper based on the prior research,discuss the bracket set of Han dynasty from two main viewpoints:first to observe from the structural essential of bracket set of Han dynasty itself instead of via a comparison with those bracket set patterns in later ages.At the same time,using the phrases of Han dynasty to describe these components;and secondly,after a briefly review ofthe cultural back ground of Han dynasty,to make a preliminary combing of relationship between the bracket set of Han dynasty and image dates in ancient Indian Sculpture.In this paper,we discuss the evolution ofa key component called'枅(ji)'in the primary stage of the happen of bracket set in Han dynasty and the relationship with some related components in Indian Sculpture,as brachial support(类臂型支撑物)and bracial luan(类臂型奕)or flat-dou-like plate(类平盘枓)and mindou(皿枓),etc.