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Pre-attentive auditory discrimination skill in Indian classical vocal musicians and non-musicians

Pre-attentive auditory discrimination skill in Indian classical vocal musicians and non-musicians
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摘要 Objective:To test for pre-attentive auditory discrimination skills in Indian classical vocal musicians and non-musicians.Design:Mismatch negativity(MMN) was recorded to test for pre-attentive auditory discrimination skills with a pair of stimuli of /1000 Hz/ and/1100 Hz/,with /1000 Hz/ as the frequent stimulus and /1100 Hz/ as the infrequent stimulus.Onset,offset and peak latencies were the considered latency parameters,whereas peak amplitude and area under the curve were considered for amplitude analysis.Study sample:Exactly 50 participants,out of which the experimental group had 25 adult Indian classical vocal musicians and 25 age-matched non-musicians served as the control group,were included in the study.Experimental group participants had a minimum professional music experience in Indian classic vocal music of 10 years.However,control group participants did not have any formal training in music.Results:Descriptive statistics showed better waveform morphology in the experimental group as compared to the control.MANOVA showed significantly better onset latency,peak amplitude and area under the curve in the experimental group but no significant difference in the offset and peak latencies between the two groups.Conclusion:The present study probably points towards the enhancement of pre-attentive auditory discrimination skills in Indian classical vocal musicians compared to non-musicians.It indicates that Indian classical musical training enhances pre-attentive auditory discrimination skills in musicians,leading to higher peak amplitude and a greater area under the curve compared to non-musicians. Objective:To test for pre-attentive auditory discrimination skills in Indian classical vocal musicians and non-musicians.Design:Mismatch negativity(MMN) was recorded to test for pre-attentive auditory discrimination skills with a pair of stimuli of /1000 Hz/ and/1100 Hz/,with /1000 Hz/ as the frequent stimulus and /1100 Hz/ as the infrequent stimulus.Onset,offset and peak latencies were the considered latency parameters,whereas peak amplitude and area under the curve were considered for amplitude analysis.Study sample:Exactly 50 participants,out of which the experimental group had 25 adult Indian classical vocal musicians and 25 age-matched non-musicians served as the control group,were included in the study.Experimental group participants had a minimum professional music experience in Indian classic vocal music of 10 years.However,control group participants did not have any formal training in music.Results:Descriptive statistics showed better waveform morphology in the experimental group as compared to the control.MANOVA showed significantly better onset latency,peak amplitude and area under the curve in the experimental group but no significant difference in the offset and peak latencies between the two groups.Conclusion:The present study probably points towards the enhancement of pre-attentive auditory discrimination skills in Indian classical vocal musicians compared to non-musicians.It indicates that Indian classical musical training enhances pre-attentive auditory discrimination skills in musicians,leading to higher peak amplitude and a greater area under the curve compared to non-musicians.
出处 《Journal of Otology》 CSCD 2016年第3期102-110,共9页 中华耳科学杂志(英文版)
关键词 Neuronal plasticity Event-related potentials MUSIC Neuronal plasticity Event-related potentials Music
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