黄自艺术歌曲中和声民族化的探索(一)——小七和弦的运用

The Exploration on Nationalized Harmony in the Huang Zi’s Song from the Example of Minor Seven Chords Application

西方的传统大小调和声体系于上世纪初传入我国,这种体系是与建立于传统大小调七声调式体系上的旋律音调相适应的,而我国的旋律音调是以五声性调式体系为基础的,将一个外来的先进的东西与自己传统的东西相结合,必然要经历一个模仿、发展的摸索过程,然后才能逐渐形成自己的和声语言。在黄自的创作中,小七和弦的运用,就呈现出这样的过程。

The western major and minor harmony system came into China in last century,which coordinates with rhymes and tones based on the system of major and minor seven chords. However,Chinese vocal rhymes and tones are based on the system of five chords. Therefore,Chinese nationalized harmony would experience a process of imitation and exploration which is exemplified through the application of minor seven chords in Huang Zi’s song.