摘要
作为艺术门类之一的建筑设计,视觉审美作为其核心问题一直受到高度的关注。从古希腊时期到现代主义时期,建筑作为视觉的对象和视觉发生的场所,不可避免地伴随视觉研究的理性化而转向形体设计的理性化,并成为科学技术与机械理性的现代产物。而随着当代视觉文化传媒的兴起与对理性中心主义的批判,又出现了极端追求视觉化的"视觉建筑"。本文对视觉影响下的建筑发展进行了详细阐述,对建筑视觉背后理性与感性两方面进行了思考。
Design of architecture is one of the art categories, where the visual aesthetics has always been highly concerned as the core. From the period of ancient Greek to modernist, as the visual object and place, architecture inevitably turned to rationalization of physical design with the one of research on vision, becoming a modern product of science, technology and mechanical rationality. However, with the rise of media of contemporary visual culture and criticism of rational centralism, there has again merged the 'visual architecture' which extremely pursued visualization. This paper elaborates the development of architecture under the influence of vision, and makes reflection on both rationality and sensibility of architectural vision.
作者
伍佳
单踊
Wu Jia;Shan Yong
出处
《城市建筑》
2018年第29期6-8,共3页
Urbanism and Architecture
关键词
视觉
理性
感性
建筑设计
转向
vision
rationality
sensibility
design of architecture
turn