摘要
淮安府清河县境内的惠济祠始建于明朝正德三年(1508年),所在的清口地区是大运河、淮河、黄河交汇之处,也是漕运和河工的关键位置,地势险要,环境独特,具有不同寻常的标志性意义。这座祠庙在明清两代多次重修,殿阁巍峨,明武宗和清康熙帝、乾隆帝南巡期间均曾亲自瞻礼,所祀神灵融合碧霞元君信仰和天妃(妈祖)崇拜于一身,反映了运河沿岸独特的宗教文化,嘉庆年间北京西郊皇家园林绮春园中曾以此为原型加以仿建。本文通过文献考证,对这座已毁祠庙的历史沿革、殿宇格局、崇祀神灵以及绮春园仿建过程进行探讨,并对其文化内涵进行总结。
Huiji Temple was created by a Taoist priest at Qingkou within the boundaries of Qinghe County of Huai'an Prefecture in 1508.The Grand Canal intersected I Iuaihe River and Huanghe River in this area which played an imporiant roie in the canal transport and river conservancy.As the sign building of Qingkou,the temple was visited by three emperors and had been rebuilt several times in Ming and Qing Dynasty,thus presenting splendid halls and towers.The goddess enshrined in the tem ale mixed the Bixiayuanjun and Tianfei(Mazu).and reflected specious cultural connotacion along the Grand Canal.In the reign period of Jiaqing.Huiji Temple was imitated in Qichunyuan,one of imperial gardens in the west suburb of Beijing.Based on the historic documents.the author tries to explore the history.byoui,religion believe of this destroyed temple and imitating process in Qichunyuan,and makes further study on its cultural connotation.
出处
《中国建筑史论汇刊》
2013年第1期375-403,共29页
Journal of Chinese Architecture History
基金
国家自然科学基金(项目批准号:51278264)资助