摘要
本文选取伦佐·皮亚诺设计的金贝尔美术馆新馆为研究对象,指出新馆对路易·康设计的老馆具有不可复制性前提,通过内向性与外向性关系分析,证实新馆对场所的理性自觉。从空间与流线组织分析入手,归纳出新馆空间的相对自治,借高度控制及距离设定的数字猜想推演出新馆与老馆"数"的比例关系。皮亚诺在新馆建构层面实现了轻型化与透明性的自由表达,也完成了对老馆光影的神秘性祛魅,最终揭示出新馆蕴含着尊重与自由双重属性。
The article selects Kimbell Art Museum expansion designed by Renzo Pinao as the research object.The author points out that there is a premise of non-repeatability for the original Kimbell Art Museum designed by Louis I.Kahn in the new one.Through analyzing the relationships of introversion and extraversion,the author confirms that there is rational selfconscious to genius loci in the new building.After studying the organization of spaces and flow,the author generalizes the relative autonomy in the space of the new expansion.By mathematical guess for height control and distance setting of the new pavilion,the paper deduces the mathematical proportional relationship between Piano Pavilion and Kahn Building.Renzo Piano freely presented the lightness and transparency on tectonic level in the expansion,and also completed the disenchantment of mysteriousness about light and shadow to original museum.Finally the author reveals that the new expansion contains dual attributes respect and freedom.
出处
《建筑师》
2015年第4期66-76,共11页
The Architect