摘要
北海兴造过程经历了自辽金至清代的八百余年,其间正是中国传统形神理论美学思想达到成熟并广泛影响各类艺术创作的时期,其影响在北海园林兴造艺术理法中有着较为广泛的体现。文章以理论结合实地调研,对北京北海园林兴造理法中的形神论美学影响进行分析。重点是对北海园林造景中之形神追求在"形神兼备"、"以形写神"、"象外传神"三方面的体现做出例释。
The building process of Beihai has experienced more than eight hundred years since the Liao Dynasty to Qing Dynasty, during which it is Chinese traditional form and spirit aesthetics theory reached maturity and had widespread influence on all kinds of artistic creation,Beihai's landscape had created under the widespread influence of this theory.The article mainly elaborated controversies on form and spirit aesthetic effect of Beihai landscape, makes the example for three aspects in artistic conception.
出处
《建筑与文化》
2015年第1期177-178,共2页
Architecture & Culture
关键词
北海
兴造理法
形神
beihai
landscape architecture
controversies on form and spirit
