摘要
在包罗万象的建筑世界,清水混凝土建筑似喧嚣世界中的一股清流,始终以独树一帜的风格屹立其中,同时也取得了建筑业界广泛的关注。文章试图通过探讨混凝土建筑的艺术性以及自明性,解析其对"静谧与光明"的表达,意图为这个被审美化与工具化包围的世界,呈现一些质朴但更有意义的内在秩序。
In the encompassing building world, fair faced concrete buildings always stand in a unique style. They are like a stream of noise in the world, and have attracted wide attention from the construction industry. This paper tries to analyze the expression of 'quiet and light' by discussing the artistry and self-clarity of concrete architecture. The intention is to present some simple but more meaningful internal order for the world surrounded by aestheticization and instrumentalization.
作者
谈昭夷
吴玲
白旭
Tan Zhaoyi;Wu Ling;Bai Xu
出处
《建筑与文化》
2019年第3期79-80,共2页
Architecture & Culture
关键词
清水混凝土建筑
静谧与光明
建筑艺术
自明性
fair faced concrete construction
tranquility and brightness
architectural art
self awareness