摘要
《易传》的"美"、"文"源于《易经》的"含章"。"含章"是地美升华为天美的立脚点,是乾天阳刚走出巫术暗昧与坤地阴柔相应的导引,是理想人格内外美相统一的发端,为理想人格美的塑造开辟了天地境界。"章"与"文"有同有异。"章""以实致虚",主实;"文""以虚带实",主虚。它们的差异,从侧面印证了《易经》的美学意蕴只在"含章"。
The 'beauty' and 'Wen' originate from the 'HanZhang' in Iching. 'Hanzhang' is the foothold of the elevation from the beauty on earth to the beauty in heaven, and is the guide that separated the strong heaven form obscure witchcraft and made it correspondent with the graceful earth, and is the origin of the unity of both the inner and outer beauty of the ideal personality as well. It opens the large scope for building up the ideal personality. There is both similarity and difference between 'Zhang' and 'Wen' . 'Zhang' from the concrete to the abstract centers on the concrete, however 'Wen' from the abstract to the concrete, focus on the abstract. The difference between them proves the implication of the aesthetics of Iching only in the 'HanZhang'
出处
《吉林大学社会科学学报》
CSSCI
北大核心
2003年第2期105-112,共8页
Jilin University Journal Social Sciences Edition
基金
吉林大学人文社会科学基金项目(2000 WX002)
关键词
美
文
含章和
beauty
wen
HanZhang