摘要
论证了达·芬奇的艺术美学思想 ,指出经验论和泛神论是达·芬奇美学思想的哲学基础 ;论述了达·芬奇对绘画艺术的本质与美学特征的独特见解 ,分析了达·芬奇把真实性和创造第二自然作为绘画艺术的最高审美标准的原因 。
Based on a comprehensive scrutiny of Leonardo da Vinci's artistic and aesthetic thoughts, his unique conception of the essence of the visual arts, and the aesthetic criterion he set for the relationship between realism and reproduction, the paper concludes that empiricism and pantheism are the philosophical foundations of his artistic creation.
出处
《兰州大学学报（社会科学版）》
CSSCI
北大核心
2003年第2期1-5,共5页
Journal of Lanzhou University（Social Sciences）
基金
国家社会科学基金项目 (0 1 BZX0 46)资助
