摘要
咏物诗发展到唐代,已臻完美。宋人只能抛却陈规、另辟蹊径。陈与义的咏物诗的遗貌取神、侧面着 墨的手法正是宋人所开辟的蹊径,并且非常恰当地体现了宋诗“皮毛落尽,精神独存”的特征。
As the chant poem had been perfected in the Tang Dynasty, the poet in the Song Dynasty had to abandon the cliche and make a fresh start in poetry writing. This article focuses on the discussion of Chen Yuyi' s chant poems . It believes that seizing the spirit of things instead of describing the appearance is the very new technique which can exactly reflect the Song poem s characteristics.
出处
《湖州师范学院学报》
2002年第5期1-3,共3页
Journal of Huzhou University
关键词
陈与义
咏物诗
遗貌取神
ChenYuyi
the chant poem
seizing the spirit of things instead of describing the appearance