中国画的形意论述——"不似似之"与"妙在似与不似之间

On "Shape" and "Artistic Conception" of Traditional Chinese Paintings

中国画以其独特的艺术风格成功地成为东方艺术的主流。这种成功与中国深厚的文化背景密不可分,其中"形"与"意"在历代绘画与画论中所起的指导性作用是不容置疑的。无论是秦汉唐宋美术史对"形神"的评述,还是宋元的现代绘画对"形"与"意"的关注。"形"与"意"在中国画的创作与实践中,承担着指导作用,同时"形"与"意"又随着绘画的实践得到论证与补充。"形"与"意"在画论与绘画中的不同表现,形成了中国画丰富多彩的格局。

Traditional Chinese paints have become a mainstream among eastern arts for its unique artistic style, which is closely related to China's deep culture background. Especially the guidance function of 'Shape' and 'Artistic Concept' is unassailable to paintings and theories of the past dynasties. Meantime, 'Shape' and 'Artistic Concept' have been demonstrated and renewed with the development of paintings. Diversified representations of 'Shape' and 'Artistic Concept' in paintings and theories created colorful pattern of Traditional Chinese paintings. 