宋代咏物词的创作姿态

On the Creating Orientation of Yongwu Ci Poems of the Song Dynasty

对于宋代咏物词的研究 ,前人在情志内涵、表现技法层面发掘较多 ,但对于创作主体与表现对象之间关系这一具有根本意义的层面的揭示和分析则并不充分。创作姿态 (即创作过程中及作品完成之后所体现出来的创作主体与表现对象之间的关系 ) ,作为联系创作之本源与作品最终所体现出来的个性特征之间的桥梁 ,对于咏物词的研究与阐释具有重要意义。从这一层面出发 ,对柳永、苏轼、周邦彦、辛弃疾等宋代著名词人咏物词之创作姿态进行概括、提炼和阐发 ,可见宋代咏物词创作演进轨迹之一斑。

In the study of yongwu ci poems of the Song Dynasty, more efforts by our predecessors have been in digging up the emotional connotations and skills of expression, but they have done little in uncovering and analyzing the fundamental relationship between subject and object in literary creation. Creating orientation refers to this very relationship embodied both in the course of composition and after what has been composed. As a bridge linking the source of writing and the characteristic style eventually demonstrated by the works, creating orientation is of great importance to the study and exposition of yongwu ci poems. We can get a glimpse of the evolutionary trace of the composition of youngwu ci poems of the Song Dynasty by summarizing, refining, and expounding the creating orientation of those works by such celebrated ci poets as Liu Yong, Su Shi, Zhou Bangyan, Xin Qiji, and others.