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明清创新绘画的哲学思想基础

On Philosophic Base Of Innovation Paintings In The Qing Dynasty
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摘要 封建王朝发展至明清已是腐朽、没落之势 ,这种时代背景促使许多文人学者反思如何冲破陈腐思想的束缚 ,追求个性思想的自由与解放。正是在如此具有近现代先进哲学思潮的影响下 ,明清诞生了一批个性独特、风格迥异的创新派绘画。我们今天研究明清哲学思潮对明清创新绘画形成的影响 ,就是要探索明清创新绘画形成的思想基础 ,找寻中国画如何适应时代的发展需求 。 In the Qing Dynasty, the innovation painters, represented by Siseng , Yang zhou Baguai and Jinling Bajia, dared t o break tradition sand make innovations. Usin g a simple and abstract form, they put thei r indignant and melancholy feelings into t heir paintings, Their performance suits the development of the times and push estradi tional Chinese paintings forward. The author a nalyses this to this topic from many aspects his tori c background, philosophical foundation, a esthetic mentality and soon. This article will try to describe the relationship between the melancholy subject and abstract form of the Qing innovation paintings. It wants to find a developing direction of traditional Chin ese paintings that suits the needs of th e times.
作者 童永生
机构地区 巢湖学院美术系
出处 《巢湖学院学报》 2003年第1期87-89,共3页 Journal of Chaohu University
关键词 哲学思想 创新绘画 明清时期 美学规律 近代思想 个性解放 Ming dynasty and Qing dynasty philosophic thoughts innovation paintings
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