摘要
'兴'是中国古代诗学理论中内涵最复杂、释义最繁乱的范畴,古今学者对此进行了多层次、多角度的研究.古代学者主要从发生论、体用论、创作论、艺术效果论、艺术接受论方面进行了研究,今人在对古人研究进行清理的基础上,从发生论、体用论、本质论、存在论、创作论、功能论角度进行探讨,研究角度更宽.本论文对古今学者研究的概况进行了梳理和简要评述,希望能给研究者一些帮助.
Xing is an ancient poetry category of China with the most complex connotation and the most miscellaneous interpretation. Ancient and mordern scholars have studied it multigradedly and multiangled-ly. The former studied it mainly from the following aspects: the theory of origin, the theory of style' s using, the theory of creation, artistic effect and so on. The later probe into it on the basis of the former' s, adding these aspects: the theroy of essense, the theory of existence, the theory of function; and give Xing wider and deeper research. This paper sorts out the survey of the research and makes brief comments on it.
