摘要
20世纪初,日本学者柳宗悦以一个东方人独到的慧眼,从朝鲜、中国、日本等民族的民艺品中,发现了"出尘超俗的美",从而创立了民艺美学。他的民艺美学思想的一大特色,是从民众的日常生活出发,从人们身边美的事物和人们的审美实践出发,去阐明关于美的本质、美的自由创造以及审美直观等基本美学问题,让人切实透彻地领悟到美的真谛,领悟到美对于我们生活的意义。这是一种贯注着东方思维方式和浸润着东方文化精神的返朴归真的美学。
At the beginning of 20th Century, with oriental unique insight Japanese scholar of LIU Zongyue found the extraordinary beauty from the works of folk art in Korea, China and Japan, etc. An important characteristic of his folk art aesthetics is expounding the fundamental issues about aesthetics such as the essence and free creation of beauty and aesthetic intuition from the daily lives, beautiful things and aesthetic practices of the masses, which makes people thoroughly grasp the ture essence of beauty and its meaning to our lives. It is original and simple aesthetics permeated with oriential mode of thinking and soaked in oriental culture spirit.
出处
《江西教育学院学报》
2003年第1期82-84,共3页
Journal of Jiangxi Institute of Education
关键词
民艺
美学
美的本质
自在美
审美直观
folk art
aesthetics
essence of beauty
free beauty
aesthetic intuition
