西藏阿里托林寺白殿壁画配置与殿堂功能

Investigation of the Constructor, Construction Date, and Spatial Function of the Baidian Temple in Tholing Monastery in Ngaris

托林寺白殿作为古格王家寺院托林寺晚期建筑空间中的一颗璀璨明珠,因其精美绝伦的壁画和别出心裁的图案设计而闻名于雪域高原,也成为国内外艺术史学界高度关注的焦点。本文在辨析白殿壁画内容的基础上,以殿内残存题记为线索,分析壁画配置与图像意涵,并以此挖掘该殿的空间功能与民众朝佛礼拜的信俗关联。此外,本文认为佛堂东壁北侧学界普遍认同的仁钦桑布像亟待商榷,笔者提出此像非仁钦桑布画像,而很可能为直贡噶举祖师吉丹贡布仁钦贝。

Based on textual evidence such as Tolinsi liren kanbu chuancheng cidi(The genealogy of Khenpo of Tholing Monastery), this article studies the constructors and construction date of the temple. With this foundation, this article cross-referenced inscriptions inside the temple with the layout of murals as well as the iconographic meaning to discuss the spatial function of the temple and its relationship with the practice of folk buddhist beliefs. Moreover, this article challenges the common viewpoint that the portrait in the northern part of eastern wall is Rinchen Zangpo and proposes that he should be Jidangongbu Renqinbei, the founder of the Drikung Kagyu school.