重建艺术与生存世界的本源联系——“身体”视角下的尼采美学研究

Reconnection between Art and the Existing World:On Nietzsche’s Aesthetics in the Perspective of Body

后现代语境下的尼采研究以'身体'线索的展开为其显著特色。在身体的视角下,尼采美学显现为对世界、艺术以及两者之间的关系的反传统的解释。世界的本性即一元的现实生存世界,它作为永恒变化的审美现象获得存在的充足理由,而艺术则应当成为世界的缩影。艺术的双重使命,即反虚无主义的历史使命和刺激生命力的自我提升的现实使命,在其身体性的本源中显现出来。

Nietzsche’s reinterpretation of the nature of art, world and their relationships in aesthetics was set up on his criticizing of the western traditional culture in the perspective of body. He denied the contradictory between body and soul, and then disclosed the nature of human being as the bodily existence. The native being of world, therefore, showed itself as the only existing one, instead of the two-divided. Nietzsche explained the eternally becoming of world in an aesthetic way which was not only sensible but also self-created. And art should share the same existence with the world,which in the perspective of its bodily origin was endued with a grand mission to fight against nihilism and activate the life to realize eternal self-transcendence.