对女性城市的阅读与书写:卡尔维诺、黑塞尔和本雅明

Reading/Writing the Feminine City:Calvino,Hessel,Benjamin

卡尔维诺、黑塞尔和本雅明对女性城市的阅读与写作都有一种共同的形式,即都运用了解构主义的写作形式。本论文分为三个部分:女性城市中女人的缺失、闲逛和作为写作场景的城市、复归母体之路。男人与女人,现实与虚幻,女性作为男性的欲望对象成为城市创立的原因。卡尔维诺在想象的领域中已不再宣称他那'看不见的城市',而是指向了真实。城市是在闲逛中形成的记忆,闲逛一直是一个文学概念或写作概念,而城市总是被解密为写作的场景。女性的重要性在符号与幻想中、在城市的创立和记忆的创作中、在母体的复归中被呈现和彰显,本雅明依靠女性的城市地位、城市风景与女性形态的联系创造了他的城市写作。总之,从卡尔维诺、黑塞尔到本雅明,女性意象消失又再现。

Calvino,Hessel and Benjamin have a common style that is they practice a deconstructive form of writing in regard to the reading and writing of the feminine city.This paper contains three sections:the disappearance of the woman in the feminine city,flanerie and the city as scene of writing and the path to the mothers.Men and women,realities and visions.Calvino no longer claims to refer to the real when his‘invisible cities’move in the realm of the imaginary.The city is a memory that was constructed in flanerie which is always a literary concept or a writing concept,but the city is always the scene of the writing which is to be deciphered.The importance of femininity is presented in symbols and visions,foundation of city and writing of memory and to the mothers.Benjamin,in his own city writings,describes the place of the feminine in the writing of the city and finds those places in the cityscape which are connected with feminine forms.In brief,from Calvino,Hessel to Benjamin,the females have disappeared and appeared.