摘要
后现代语境下,对经典的各种改写与颠覆已成为一种趋势。莎士比亚悲剧也受此影响,被导演和编剧们改编成风格各异的银幕作品。由迈克尔·莱德福执导的影片《威尼斯商人》运用场景、色彩及人物等电影元素建构了'隔都'这一特殊空间形态,将一出传统喜剧演绎为一部后现代悲剧。隔都为影片中两个空间不平等的生命权力关系和法则秩序添加了注解,成为影片悲剧化过程中的关键因素。
It has become a tendency to rewrite or subvert the classics in postmodern context.Adapted by directors and scriptwriters for movies in various styles,Shakespeare’s tragedies are not excluded.The Merchant of Venice,directed by Michael Redford,unfolding a tragedy before the audience,constructs a special space,'Ghetto',from elements such as scene,color,and figure.Explaining the inequality of the life and power relationship as well as the laws and order in the two spaces,Ghetto plays as a key factor in the process of themovie’s tragedilization.
出处
《比较文学与跨文化研究》
2018年第1期101-106,154-155,共7页
Comparative Literature and Transcultural Studies
基金
河南省科技厅软科学项目《视觉时代下经典中外影片在大学生跨文化交际能力培养中的建构与实践》(项目编号:162400410556)的阶段性研究成果
