葡萄牙文学经典的非洲版本——弗拉迪克·门德斯的流转与《克里奥尔国度》的实现

An African Version of a Portuguese Literary Classic:Transmutations of Fradique Mendes and the Realization of Nacao Crioula

弗拉迪克·门德斯是以埃萨·德·奎罗斯为中心的葡萄牙现代主义者创造的虚拟人物。在19世纪后期,弗拉迪克先被用作震撼葡国文坛的革新先锋,后又成为解决现代主义与浪漫主义对立、提供第三条出路的前现代主义代表。一个世纪后,安哥拉作家阿瓜卢萨在后现代、后殖民的语境下,以补充、颠覆和挪用的方式对这一经典文学形象进行了重塑,将其转化为'克里奥尔性'的代表人物。本文探究弗拉迪克·门德斯作为文学形象和文化象征的跨时空、跨文化演变,重点研究阿瓜卢萨的《克里奥尔国度》和埃萨的《弗拉迪克·门德斯书信集》之间的互文性,揭示前者如何对后者进行批判性继承和颠覆性革新。

Fradique Mendes is a fictional character first created by Portuguese modernists centered around E?a de Queirós.During the latter half of the nineteenth century,Fradique first served as an innovative pioneer to shock the Portuguese literary scene,but later became a Pre-modern third option to solve the tension between Romantism and Realism.About a century later,Angolan author JoséEduardo Agualusa recreated this classic figure in the Post-modern and Post-colonial context through supplementation,subversion and appropriation,turning Fradique into an embodiment of'creoleness'.This paper investigates the transmutations of Fradique Mendes through space,time and culture,both as a literary figure and as a cultural symbol,with emphasis on the intertextuality between Na??o Crioula of Agualusa and A correspondência de Fradique Mendes of E?a,revealing how the former inherits,criticizes,subverts and revolutionizes the latter.