摘要
从如下一些方面论证全球化背景下当代中国的文化建设和文论建设:应当把当代中国的国情和文化人的文化身份定位在从前现代向现代的过渡与生成;对全球化与民族性的关系进行宏观的辩证分析,提出“以我为本”、“为我所用”、“合而不同”和“优化组合”的原则;根据实现社会的现代化和人的现代化的实际需要,主张对传统的中国文化和当代的西方文化进行鉴别、审视和选择;并把是否有利于社会的现代化和人的现代化的一致性作为衡量先进文化的标准和权威性尺度。
The present paper elucidates contem porary China's cultural construction and construction of literary criticism in the context of globaliz ation from the following perspectiv es:it is to define contemporary Chin a's actual conditions and cultural workers' id entity as the transition from pre -mo dernism to modernism and modernism' s shaping;such principles have been r aised as'China's own culture is fundamental','It is to direct things to the utility of China's own culture','It is to seek harmony rather than iden ticalness'and'It is to optimize the various cultural elements'regrouping'on the basis of macroscopic and diale ctical analysis of the relations between global-ization and the national nature of ou r culture;in line with the actual needs of realizing modernism of both society and its citizens,it is to identify,e xamine and choose the elements of both China's traditional culture and th e contemporary Western cultures and i t is imperative to decide what is beneficial for the unity of both society' s and its citizens' modernism and consequently this is taken as the criterion a nd authoritative yardstick for judging an advanced culture.
出处
《深圳大学学报(人文社会科学版)》
北大核心
2003年第2期87-93,共7页
Journal of Shenzhen University:Humanities & Social Sciences
关键词
当代中国
全球化
文化建设
文论建设
contemporary China
context of globalization
cultural construction
construction of literary criticism