摘要
山水画写生的宗旨是写"境"。当下山水画写生的"对景久坐"之法,是对传统的"遍而赏之"的写生方法的一个丢失。21世纪具有中国特色的山水画写境之法,应当重倡写生的自然之境源于观物取象、写生的审美之境取之象外、境是山水画写生的终极目标等命题。
The Landscape sketch is concentrated on 'state'. At present 'Sitting & fathoming in front of the scenery' method is a loss to the traditional way of the sketch:'Thoroughly watching'.From his own practice of sketch, the author advocates again that'the natural state' of the sketch originates in 'Choosing the point from watching'; the artistic judgement of the sketch goes beyond the picture.'State'is the ultimate aim of the landscape sketch. The author is to find out the method of the landscape sketch from the 21est century, which should carry our Chinese feature.
出处
《河南师范大学学报(哲学社会科学版)》
北大核心
2003年第2期107-108,共2页
Journal of Henan Normal University(Philosophy and Social Sciences)
关键词
境
观物取象
取之象外
终极目标
state
get the point from examing
go beyond the picture
ultimate aim