摘要
从《人生》、《黄土地》、《老井》到《美丽的大脚》等以反映西部地域文化特征为主的中国西部电影,在它发展过程中,其文化审美视角形成了鲜明的特征:从20世纪的80年代侧重于道德评判和对传统文化的反思到21世纪初转向对平民情怀的关注,体现了文化重负下的多维融会的发展趋势,具有广泛的现实意义和历史深度;而它向观众展示的浓郁的地方特色令人耳目一新,富于民族特色与乡土气息的西北风土人情的文化长卷,以及复杂的人物性格,富有感染力的综合艺术手法,构成了西部电影独特的审美价值。
Films of the West China such as 'The Human Life'?'Loess Land'and 'The Pretty Big Feet' with cultural characteristics of the western regions have sharp cultural aesthetic appreciation features:Films from stressing morality and reflecting traditional cultrue in the 80's of the 20th Century to paying close attention to affection of ordinary people in the 21st Century embodies a combined trend of development and have extensive realistic and historic significance.Fronounced local and national color,strong flavour of rural life,distinctive local conditions and customs together with complicated characters and comprehensive artistic styles with artistic appeal form the distinctive aesthetic appreciation value of the West China films.
出处
《唐都学刊》
2003年第1期80-84,共5页
Tangdu Journal
关键词
中国
西部电影
民族特色
films of the West China
national feature
formation
development
