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架上绘画现状透视

The Perspective of the Easel Painting's Present Condition
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摘要 当代艺术思潮的“泛艺术论” ,使美术的外延与内涵被无限扩展 ,西方各种“新艺术”形式已将架上绘画从中心挤到“边缘”。绘画内涵的价值纬度发生偏移 ,造成负面价值影响。中国架上绘画作品仍处于主流地位。上世纪初到今天向西方绘画艺术的几次学习 ,使中国的绘画已逐步建立自己的特色。架上绘画的终极价值应是艺术与技术的完美结合 ,在当代重建价值取向是十分必要和自然的。 The'Pan Arts'of the contemporary artistic trends of thought has made the extension and connotation of the fine art expanded unlimitedly.The easel painting has been squeezed out from the center to the'edge'by all sorts of western'new arts'form.The value latitude of the painting connotation drifted off its course and negative effects has been made.The works of Chinese easel painting still lies in the mainstream situation.Several studies to the western painting arts from last century to present have built gradually Chinese painting its own characteristics.The final value of the easel painting should be a perfect combination between arts and skills.In contemporary time,it is necessary and natural to rebuild values.
作者 谭昊
出处 《衡阳师范学院学报》 2003年第1期124-127,共4页 Journal of Hengyang Normal University
关键词 绘画艺术 架上绘画 “泛艺术论” 价值取向 中国绘画 艺术 技术 easel painting pan arts values Chinese characteristics skills and arts
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