摘要
借用现代心理学和生物学理论,以中国古代诗、词、典籍等为材料,探讨感情的维度并尝试说明抒情的内在机制。本文先概述古今中外关于感情维度的说法,在综合比较的基础上,从中提炼并建构出一种自认为比较恰当的模式,展开结构分析和实证分析,目的是为了阐明,虽然人类(包括作家艺术家)所有的感情反应最初都来自于原始的哭、笑反应,因而感情各个维度之间是相通、混融的,但不同维度的情感在表征上完全可能千姿百态,抒情活动的复杂性就存在于感情各个维度之间的交叉、冲突、失调之中。
The author attempts to discuss the dimension of affection and explain its inner mechanism by using Chinese ancient poems, poetic genres and allusions by means of the theories of contemporary psychology and biology. To begin with, the author generalizes the opinions about the dimension of affection at all times and in all countries, and draws out his own proper system, based on generalizing and comparing the former ones, and then he gives a further analysis from the structures and examples.
出处
《三峡大学学报（人文社会科学版）》
2003年第2期55-59,共5页
Journal of China Three Gorges University(Humanities & Social Sciences)
基金
广东省高教厅人文社会科学研究项目(OOSJA75007)。
