摘要
表现与再现之所以成为美学的基本概念 ,是有其深广的哲学背景的 ,这一背景就是西方传统哲学思维方式———两元论立场 ,并提出消解与融合的策略。认为在艺术创作上 ,应注重发挥表现与再现的各自美学功能 ,注重两者的相互生发与相互渗透 ,从传统两元论思维模式中摆脱出来 。
The reason why expression and representation become basic concepts of aesthetics has deep and wide philosophic background,which is the traditional western philosophic thinking mode-the position of dualism.This article makes historical sort of the art concept of the position of dualism and puts forward the strategy of clearing up and syncretizing .It shows that as to art creations ,one should pay attention to exerting the aesthetic function of expression and representation respectively,pay attention to mutual promotion and mutual penetration ,shake off the traditional dualism thinking mode and reach the art aesthetic view of conformable ken.
出处
《锦州师范学院学报(哲学社会科学版)》
2003年第1期62-68,共7页
Journal of Jinzhou Teachers College(Philosophy and Social Scienae Edition)