摘要
“心动”与“摹仿”是中西古代文学创作论最有代表性的两个范畴,它们揭示了中西古代文学创作的内在规律。由于二者的生成条件不同,因而有不同的理论内涵,并衍生出了不同的审美原则和艺术方法。
Heart moving?and 揳pery?are two most representational categories in ancient China and Western literary creation. They open out the inherent rules in ancient China and Western literary creation. Due to their different cultural and historic conditions inborn, their theoretic connotation is different. Different taste principle and art means are derived.
出处
《唐山师范学院学报》
2003年第1期17-20,共4页
Journal of Tangshan Normal University