摘要
本文试图从政治、文化、文学等几个方面分析南朝文学批评视野中北朝文学的缺席的原因,并进一步指出文学史上所谓的"南北文学的融合"的实质是:在南朝文学艺术形式高度发达的基础上,建安文学所蕴含的生命精神的回归。北朝文人在创作上率先实践,而南朝文学批评在理论上提出这一问题。
This paper attempts to analyze the reason of North Dynasty literature's absence in the South Dynasty literature's visual field from three aspects: politics, culture, and literature. It points out the substance of blend of South Dynasty and North Dynasty literature, namely, on the foundation of South Dynasty's high achievement of art form, the life spirit in Jian An literature returned.
出处
《三峡大学学报(人文社会科学版)》
2003年第1期54-58,共5页
Journal of China Three Gorges University(Humanities & Social Sciences)
关键词
文学批评
南北朝
建安文学
生命精神
South and North Dynasties
literature
literary criticism
Jian An literature