摘要
朝鲜诗人李德懋善于运用比兴手法营构诗歌意象,它体现在三方面:一是创造具有联想性的复合意象,以唤起读者压抑在心灵深处的经验并与诗人作互诉及共鸣;二是创造具有实感性的复合意象,使其诗作体现绘画性特点,十分逼真地描写物象的形状与色彩;三是创造具有含蓄性的复合意象,以极其有限的"露"表现最为深远的"藏"的内涵,藉此表现人的内心世界,或造成令人省悟的境域。
Li Demao, a Korean poet, was good at constructing poetic images by way of comparison, which was reflected in the following three aspects: firstly, he created associative complex images to evoke readers personal experience hidden at the bottom of their hearts, hence, the reader can communicate with the poet and vibrate to that iron string; secondly, he created solid complex images to embody his poems with drawing characteristics, depicting vividly the form and color of the objects; thirdly, he created implicit complex images to express the most fargoing implication with a most limited appearance. This can either show peoples innermost being or wake people up to the reality.
出处
《沈阳师范大学学报(社会科学版)》
2003年第2期14-18,共5页
Journal of Shenyang Normal University(Social Science Edition)
关键词
李德懋
诗歌
联想性
实感性
含蓄性
复合意象美
朝鲜诗人
Li De-mao's poetry, the beauty of complex poetic image, associative, solid, implicit.