摘要
从美学和审美心理学的角度分析《古诗十九首》,它表现了一种哀美的美学风格,原因之一是受当时社会审美风尚的影响。以哀为美,追求哀情的表现,最初主要体现在音乐艺术中,后渐渐渗入到文学艺术中,汉代的风行不衰。原因之二是受审美主体的审美趣味的影响。作者的人生经历中不仅仅只有痛苦哀怨,但作品所表现出来的风格却是相同的,这说明作家的审美趣味的指向是一致的。
To analyze 'the 19 Ancient Poems' from the angle of aesthetics and aesthetic psychology we find that it displays a kind of aesthetic style of sorrowful beauty. One of the reasons is the influence of the social aesthetic prevailing custom of that time. Regarding sorrow as beauty , seeking sorrowful expression mainly embodied music art at first . It gradually infiltrated into literature art. It had been in vogue in Han dynasty. The second reason is the influence of people' s aesthetic interests. The authors' life experience was not only suffering and sorrow, but the styles of their works were the same. This showed that the authors had the same aesthetic interests.
出处
《莱阳农学院学报(社会科学版)》
2003年第1期75-77,共3页
Journal of Laiyang Agricultural College(Social Science Edition)