摘要
新诗的危机是整个诗歌面临的现代性困境的反映。这种危机 ,不仅仅是诗歌的艺术或内容的问题 ,更与它所处的整个现代文化环境密切相关。在中国现代社会和文化环境中 ,人们审美兴趣的转移导致了诗歌本身地位的日趋边缘化。这对新诗的生存和发展构成了严峻的挑战。30年代诗歌在都市文化市场中的境遇 ,在某种意义上 。
The crisis that the new poetry experienced is a reflection of the modernistic predicament that the whole poetry confronted. This predicament is not only related with the artistic form or the content of the poetry, but also associated with the whole environment of the modern cluture. In the cultural environment of the modern Chinese society, the changing of the aesthetic interest leads the poetry as a literature genre to the marginalization, which is a threat against the existence and evolution of the poetry. In a sense, the sorry plight that the 1930s' poetry experienced on the metropolitan cultural market was the reflection of the modernistic predicament that the whole poetry confronted.
出处
《天津师范大学学报(社会科学版)》
CSSCI
2003年第2期54-59,共6页
Journal of Tianjin Normal University(Social Science)
关键词
新诗
边缘化
文化市场
现代性境遇
都市文化
the new poetry
marginalization
cultural market
modernistic predicament