摘要
郑正秋、蔡楚生、谢晋等电影艺术家在半个多世纪以来的中国银幕上,属于在不同时代的政治、文化环境应运而生的电影巨匠,其作品主要以伦理道德为叙事内容,以戏剧性的伦理冲突建构故事情节,以善恶对立的类型化人物为道德化身,以社会关系伦理化和伦理关系社会化、政治化等不同的审美视角,映射了中国人民经历过的不同时代变迁的“世纪沧桑”,他们所开拓和发展的中国伦理情节剧电影传统,在中西文化的交汇中,形成了十分清晰的发展轨迹,在叙事传统、文化意义和美学特征等方面具有厚实的内涵,构成了一种一脉相承的、很有影响的文化现象。
Zheng Zhengqiu, Cai Chusheng and Xiejin are great mastere in Chinese movie field in the last 50 years. Their works have. the following characteristics: 1. The content of their movies are closely connected with ethical thoughts; 2. The plots are designed under the guide of dramatic ethical conflicts; 3. The figures are often divided into two types - good and evil; 4. The aesthetic perspectives are compounded. Their movies show the life of the Chinese peo-ple in different times. The ethical scenario that is created by them represents a very influencing cultural phenomenon.
出处
《湖南大众传媒职业技术学院学报》
2003年第1期48-52,共5页
Journal of Hunan Mass Media Vocational and Technical College