摘要
古典戏剧中脚色装扮 ,配以上场时的搬演程式 ,都有助台下的观众了解脚色 ,容易投入搬演的故事之中。净脚在元杂剧中所扮演的都是负面人物 ,非故事主角 ;但净脚在戏剧滥觞之初的参军戏中本是主角 ,可扮演正面和负面人物。发展到元杂剧它却有如此大的改变 ,从后赵至唐宋元之间 ,净脚的扮演性质经过一定程度的改变。
The masquerade and acting pattern that the characters act with, are very important in the classical Chinese opera. It helps the audience understand the story and the character's reenacting. 'Jing', refers to the painted face character in the opera of Yuan comedy, which always played the role of the villain .But originally, 'jing ' refered to the main character of the military officers in the later Zhao dynasty's opera. It might be the decency or the villain before the Yuan dynasty. It had undergone so many changes through those years from the Tang to the Yuan dynasty. This essay attempts to synthesize the points of the predecessor scholars so as to find out the changing track of 'jing'.
出处
《华南师范大学学报(社会科学版)》
CSSCI
2003年第2期53-57,共5页
Journal of South China Normal University:Social Science Edition
关键词
净脚
参军戏
宋杂剧
院本
元杂剧
扮演性质
character in Chinese opera with a heavily painted face
drama of the military officer in the later Zhao dynasty
operas in the Song dynasty
play scripts used by actors during the Jin and Yuan dynasties
operas in the Yuan dynasty