摘要
长篇小说《檀香刑》被看作是莫言在创作上的"民间性小说实践",在这部小说里莫言有意地把地方戏曲因素引入到小说中,通过戏曲中"独白"的方式安排人物的出场,并且根据不同的角色扮演,人物的独白语言呈现出多样化的特征。小说中的两位女性人物媚娘和钱夫人是民间和殿堂两种文化身份的代表,表现在语言上,话语的对立交织,使得人物形象更见鲜明。
The novel of Sandalwood Punishment was viewed as Mo Yan’s folk novel practice. In this novel,Mo Yan inten-tionally introduced the factor of local opera into his novel,arranging characters by the way of Monologue,and due to different roles,people’s language showing a variety of features. The two female characters in the novel on behalf of civil and folk culture, and the opposition and intertwined in their language,making the characters more vivid.
出处
《南昌教育学院学报》
2014年第5期11-13,共3页
Journal of Nanchang College of Education
关键词
莫言
《檀香刑》
语言
女性形象
Mo Yan
Sandalwood Punishment
language
female characters
