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《白噪音》的空间诗学解读

The interpretation of White Noise from the perspective of spatial poetics
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摘要 《白噪音》是美国后现代主义文学最具代表性的作品之一,其精湛的艺术技巧和尖锐的批判使该小说极具震撼力量,也使唐·德里罗声名鹊起,夺得"国家图书奖"。在《白噪音》中,德里罗将个体置入后现代社会之中,细致地描绘了现代文明对人类精神和肉体带来的伤害,展现了主体性的没落与丧失。空间理论的运用,旨在分析空间在《白噪音》的诗学功能,并揭示了现代人试图通过空间的探索实现对异化人性的救赎这一深刻的社会现象。 White Noise is one of the most representative works of American postmodernism literature. Its exquisite artistic skill and sharp criticism make the novel extremely powerful and make Don De Lillo famous for his fame and win the National Book Awards. In White Noise,De Lillo puts the individual into the postmodern society,meticulously depicting the harm of modern civilization to the human spirit and body,and showing the decline and loss of the subjectivity. The use of Space Theory is aimed at analyzing the poetic function of space in White Noise,and revealing the profound social phenomenon that modern people try to realize the process of redemption of the alienated human nature through the exploration of space.
作者 左银 Zuo Yin(Sichuan International Studies University,Chongqing,400031,China)
机构地区 四川外国语大学
出处 《南昌教育学院学报》 2018年第4期113-116,共4页 Journal of Nanchang College of Education
基金 重庆市研究生科研创新项目"后现代空间诗学探赜--以唐.德里罗小说的‘恶托邦’书写为例"(CYS17267)
关键词 后现代 个体 空间 救赎 白噪音 postmodern individual space redemption White Noise
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