论《拙堂文话》对明代散文批评的唐宋派倾向

The tendency of Tang-Song Group in ZhuotangWenhua’s criticism on Ming dynasty prose

江户后期知名学者斋藤正谦(1797-1865)所著《拙堂文话》(正续各八卷),在涉及明代散文批评的内容中多贬抑复古派而比较明显地倾向于唐宋派,其主张阐发也多以复古派为标靶。这种崇尚唐宋而非模拟秦汉的理念倾向,一定原因在于江户中期以荻生徂徕为代表的"古文辞派"尊崇明后七子李(李攀龙)、王(王世贞)"文必秦汉"的文风弊端日显,另一方面也体现出江户后期日本汉文学(古体散文方面)自身走向成熟、要求独立评述的内在诉求。

Saito Setsudo(1797-1865),a famous scholar in the late edo period,wrote Zhuotangwenhua(Eight volumes of main passages and continuations respectively),which involved the criticism of prose in Ming dynasty.The tendency of advocating Tang and Song dynasties rather than Qin and Han Dynasties,must be the reason that in the middle edo period,company concentrated in ancient language send exalt,represented by the famous scholar Ogiyuu Sorai(荻生徂徕)adored li(Li Panlong),wang(Wang Shizhen)and their viewpoint of'prose should follow the stardards of Qin and Han dynasties',on the other hand,also reflects the late edo Japanese Han literature(archaism prose)its maturity,for independence review internal demands.