文学制度与当代少数民族诗歌研究

Literary Institution and the Contemporary Minority Poetry

文学制度可以说是国家文学生产中的"先在"性因素,它不仅起着规范文学生产的限制性作用,同时,它也通过制度保障,在某种程度上繁荣着文学生产,在"去遮蔽化"和"去阴影部分"的过程中促进少数民族诗歌的发展。在当前的文学制度下,过度关注"文学明星"的现象严重制约了文学研究,也不利于少数民族文学的发展。在消费文学时代,关注文学制度对少数民族诗歌发展的影响,除了应该关注文学制度对少数民族诗歌发展有利的一面,还应该关注少数民族诗歌有意接纳文学制度的因素。关注文学制度对中国当代少数民族诗歌的影响,除了托托西所列出的"职业化作家、社团文学、报刊与出版、论证与批评,以及文学审查与奖励等等"之外,还应该关注少数民族诗歌对主流文化生态的认同性。

As a pre-existing factor of national literary production, literary institution not only limits, but also boosts literary production with institutional guarantee, and, to some extent, advances the minority poetry in'uncovering'and'deshadowing'process. Under the present Chinese literary institutions, excessive concerns over' literary stars'severely restricts the literary research and affects the minority literature development. In an era of consumptive literature, the research of the minority poetry development is not just about the positive impacts of the institutions on it, but its intentional acceptance of the literary institutions. The research of the impacts of the institutions on contemporary Chinese poetry are not just the research on the institutions addressed by Steven Totosy de Zepetnek, such as professional writers, community literature,newspapers and publications, argumentations and criticisms, literary reviews and awards, etc., but also the tendency that the minority poetry accepts the ecology of the main stream culture.