摘要
唐人在著述中常常提及到女娲神话,而在文学中女娲也逐渐演化为一种文学母题原型,成为"创造万物、构建秩序、救民困厄"的文学意象符号,演变成了造福人类的意象载体。与唐代以前女娲神话的文学书写意象不同,唐代的文人更多的是以女娲神话作为一种符号来表达自我情怀。而这种模式也使得女娲神话的书写呈现出由集体政治意识向个体生命意识、由宏大理想向现实情怀的转变。从唐人对女娲神话的态度和评价的转变中,可以更好地了解作家们的思想心态,从而更本真地把握唐代文学。
Tang people’ s works often referred to nuwa myth, and in the literature nuwa also gradually evolved into a literary motif prototype, became a literary image symbol “creating the universe, construction order, saving the people in distress”, e-volved into the image carrier for the benefit of mankind.Unlike the literature writing image of nuwa myth before the Tang Dynasty, the literati of the Tang Dynasty were more to express self feelings taking nuwu as a symbol.This model also made nuwa myth writ-ing present the transformation from collective political consciousness to individual life consciousness, from grand ideal to real feel-ings.From the transformation of Tang people’ s attitude and evaluation toward nuwa myths, we could better understand the mental-ity of the writers, and really grasped literature in the Tang Dynasty.
出处
《湖南人文科技学院学报》
2015年第1期33-38,共6页
Journal of Hunan University of Humanities,Science and Technology
关键词
唐代
女娲神话
书写
考述
The Tang Dynasty
nuwa myth
writing
research