工匠精神与传统艺术传承——从临摹《簪花仕女图》说起

Craftsman Spirit and Traditional Art Inheritance——A Case Study on the Copying of Zanhua Ladies

临摹古代绘画作品的过程中,选择的临本或者原画作由于年代久远、掉色等缘故,从原画中已经很难看清楚一些细节,如果对古代人物的发饰结构、服饰习俗、生活习惯等不甚了解,就应该在搞清楚临本中所绘朝代的社会传统、生活习俗的基础之上,理性地分析画面中人物的造型特点,对原画中看不清楚的地方进行分析研究,进而整理、复原他本来的样子;只有做到心里有数,才能放开手脚去临摹,才能抓住原作更深层次的东西,本着追求严谨求知的工匠精神,本文从造型方面分析《簪花仕女图》的临摹过程中几个需要研究、解决的问题。

In line with the spirit of craftsman pursuing rigorous knowledge,in the process of copying,the selected temporary works or the original paintings are very difficult to understand some details from the original paintings because of their age and fading.If you don’t know much about the structure of hair accessories,dress customs and living habits of ancient characters,you should rationally analyze the modeling characteristics of the characters in the paintings on the basis of understanding the social traditions and living customs of the dynasties painted in the temporary works.In order to analyze and study the unclear places in the original painting,and then sort out and restore his original appearance,only by knowing his mind can he release his hands and feet to copy and grasp the deeper things in the original painting.This article discusses some problems that should be paid attention to in the process of copying Zanhua Ladies from the aspect of modeling.