摘要
“严肃文学”、“纯文学”、“俗文学”构成了中国现代文学的三家分立的基本格局 ,三者之间既相互排斥又相互融合 ,共同推动着中国现代文学的演进和发展。这种三分文学格局的形成与 2 0世纪文化、文学的“现代性”指向是密不可分的 ,这种整体性的文化、文学的“现代性”指向 ,颠覆和再造了文学“雅”与“俗”的观念 ,并在一种“追求现代”
The earnest literature, pure literature and popular literature constitute the trichotomic pattern of contemporary Chinese literature. Sometimes they eject to each other and sometimes they mix, promoting the evolution and development of the Chinese literature. The formation of the trichotomic pattern of the Chinese literature is close to the contemporariness of Chinese cultural and literary development of the 20th century. This integration of pursuit of contemporary orientation of culture and literature overthrows and remolds the concepts of 'refinement' and 'popularity', and brings the Chinese literature to the accomplishment of the switching from tradition to contemporary.
出处
《南开学报(哲学社会科学版)》
CSSCI
北大核心
2003年第2期112-117,共6页
Nankai Journal:Philosophy,Literature and Social Science Edition
基金
喜马拉雅文教基金和中流文教基金
关键词
三家分立
雅俗流变
现代性
Trichotomic Pattern
The Headstream and Change of Ya (refinement) and Su (popularity)
Contemporariness