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柳宗元《永州八记》的道家文化解读 被引量:2

Interpretation on Taoist Culture of Liu Zongyuan's Eight-Travel-Writing about Yongzhou
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摘要 柳宗元在《永州八记》中倾注了贬谪文人的强烈的主观情感,将自然山水的审美与道家的哲学体验融合为"天人合一"的完整意境,创造了人与自然的全新关系,从而确立了山水游记作为独立的文学体裁在文学史上的地位。从中还体现了中国传统文人儒道互补的人格,折射出道家文化对中国文人人格模式的深刻影响及对中国文化格局的广泛渗透。 Liu Zongyuan devoted a strong subjective feeling as the relegated intellectual through EightTravelWriting about Yongzhou He has combined appreciation of the beauty of the natural scenery with Taoist philosophic experience as the whole artistic conception of 'the unification of heaven and man' He has created a new relation about man and nature, so that he has established travel writing position in literary history as an independent type of literature That reflected Confucianism and Taoism mutual personality of Chinese tradition intellectual, which has already refracted out that Chinese culture structure and Chinese intellectual personality pattern were profoundly influenced and widely infiltrated by Taoist culture
作者 王劲松
机构地区 重庆大学图书馆
出处 《重庆大学学报(社会科学版)》 2003年第2期103-106,共4页 Journal of Chongqing University(Social Science Edition)
关键词 柳宗元 《永州八记》 自然山水 道家文化 Liu Zongyuan Eight-Travel-Writing about Yongzhou natural scenery Taoist culture
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参考文献1

  • 1[2]柳宗元.柳宗元集(全四册)[C].北京:中华书局,1979.

同被引文献3

  • 1黄霖等导读,王国维.人间词话[M]上海古籍出版社,1998.
  • 2缪鋮.诗词散论[M]上海古籍出版社,1982.
  • 3尚永亮.柳宗元诗文选评[M]上海古籍出版社,2003.

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