摘要
艺术家在创作中,以既成的思想观念付之于具有同构性的物象与事态的形象表现,形成为主体审美情思托事物以显的感性形式,实现外在的物象与主体的意态的和谐统一,这就是艺术的意象形象的诞生。因此,意象形象的创造,是各类艺术在创造中实现为审美超越的一种实践追求,它标志着艺术形象创造中主体化物象为意象的审美实现。艺术的意象比之于艺术的直表形象,更显形象的超越性与主体的寄托性,在接受环节上也更显形象意义的扩展性。
In the process of creation, artists put their original ideas into the image of objects and things with the same conformation, shaping a perceptual form through which the subject’s aesthetic feelings are expressed, and achieving a harmonious unity between the external objects and the subject’s intentions. That is the birth of the imagery of art. Therefore, the creation of imagery is a practical pursuit of aesthetic transcendence in the creation of various kinds of art. It marks the aesthetic realization of the subjective image in the artistic creation. Compared with the direct image of art, the artistic imagery is more obvious in image transcendence and in subject sustenance, and the image meanings are more expansible in the process of acceptance.
作者
王向峰
WANG Xiangfeng(College of Literature,Liaoning University,Shenyang 110036,China)
出处
《辽宁大学学报(哲学社会科学版)》
CSSCI
北大核心
2019年第1期131-138,共8页
Journal of Liaoning University(Philosophy and Social Sciences Edition)
关键词
审美意象
立象尽意
象由意起
意象生成
意象类型
aesthetic imagery
creating imagery to express to the greatest extent
imagery from meaning
imagery generation
image types